Posted Mar 1, 1993
Amblin sets sail with AMIGA F/X
By MATT ROTHMAN
Amblin Entertainment's new TV show "Sea Quest," about a giant submarine, is proving to be about more than just the discovery of undersea life in the year 2018.
The $ 1 million-per-episode series featuring
Roy Scheider relies on computer-generated images of the ocean that cost a fraction of traditional systems.
Using an Amiga computer from Commodore Intl. Ltd. and the
Video Toaster graphics board from
NewTek Inc., Amblin is able to produce images that would normally cost $ 200,000 for a fifth that amount per episode.
"This show would not be feasible without this cost savings," said
Tony Thomopoulos, Amblin TV president.
NBC has ordered 22 episodes of the series, which will debut in the fall.
The savings on the effects are so great that Universal is looking to Amblin's experience as a model for other shows.
"We're learning a lot on this," said Dan Slusser, head of Universal's studio operations. "We're looking at this process for TV production; we're talking internally about projects that this would work on, no question about it."
The system may prove of high enough quality, say executives, that effects for feature films will be next.
The studio has made an investment in Amblin's computer production unit, though Thomopoulos declined to specify the amount.
It shouldn't be too great, considering an Amiga computer and Video Toaster cost around $ 6,000. Amblin has purchased 30 machines. By comparison, a single Silicon Graphics Inc. workstation can run as high as $ 60,000.
Moreover, the Toaster includes a number of software programs, including Lightwave 3D, which lets designers construct objects, coat them with realistic colors and textures, and then animate them.
TV viewers in L.A. got a glimpse of the Video Toaster's handiwork last Thursday in
KCOP-TV's airing of
"Babylon 5," a two-hour science-fiction telepic from Warner TV. It will be seen on another 150 stations nationwide.
The show's 80 or so effects shots, done by
Ron Thornton's
Foundation Imaging in Valencia, include the spaceships and atmosphere. The price tag, said Thornton , was less than $ 500,000.
Though "Sea Quest," has only 1 1/2 minutes of computer animation per hourlong episode, the pilot seg uses those effects to help set the story line for Scheider as captain of the 1,000-foot-long submarine.
In the pilot,
Joe Conti, head of "Sea Quest" computer graphics, "promises breathtaking special effects, just like
Industrial Light & Magic did for 'Jurassic Park,' but on a weekly TV show budget, which is nothing."
Conti did a number of effects for
"Unsolved Mysteries" last fall. He landed at Amblin after producer Phil Segal had surveyed a number of visual effects houses for bids on the project. When the company found Conti, it decided to do the effects in-house rather than use an outside company.
"These companies were quoting millions of dollars over two years," said Segal. "It became a huge cost and wouldn't have flown."
At this point, Conti is enlisting NewTek to write much of the software that is making "Sea Quest" possible. The Topeka-based company wrote some 100 programs not originally included in the Toaster, including one that designed the squid-shaped submarine, the exterior of which appears on screen only as a computer graphic.
Conti has also managed to speed up the process of generating computer images by connecting as many as 14 Toasters using a program from
Todd Rundgren's NuTopia Co. This way, as many as 14 frames of image can be given color and texture in 20 minutes, 20% slower than an SGI workstation. Conti expects to double the speed, though, in another month.